Orders received from chickfactor HQ, Jim Ruiz Set return to Brooklyn!!

 

 

RDV

 

Jim Ruiz Set will return to The Bell House on June 13 to play night three CF21.   This time we will be journeying ABBA like with Mike Crabtree rounding out our team.

The field will be strong, and we are honored to have made the selection.

http://chickfactor.com/2013/04/chickfactor-21/

Tickets are now on sale here http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&eventId=3522564&pl=bellpl.

Three day passes available at time of printing here http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&eventId=3522584&pl=bellpl

Going All the Way – Jim Ruiz Set to appear at the Korda Showcase in the 2013. Mount Curve Avenue now available on CD.

Jim and Emily in London with vegetarian roast beef flavored crisps. Photo by Gail O'Hara

Jim and Emily in London with vegetarian roast-beef-flavored crisps. Photo by Gail O’Hara

As Charles Bukowski famously said, “if you are going to try, go all the way… .”  In the 2012 Jim Ruiz Set certainly went all the way, thanks to kind invitations from chickfactor supremo gail o’hara, to Brooklyn, Los Angeles and then to London.  And thanks to the Eternal Friends, the generosity of the Ford family, the production wizardry of Allen Clapp and assisted by a cast of our talented friends the JRS birthed Mount Curve Avenue, the best record this two bit troubadour has ever had the privilege to work on.

Not a band to rest upon our laurels, we will return to the stage in early 2013 on Saturday, January 12th as part of the Korda Showcase night at The Seventh Street Entry.  This time we will have our talented friend and special guest David Hamilton behind the Vox Continental organ to boost our jazzy edge, while Mike Crabtree returns to lend his own brand of trebly twang with his tasty guitar leads and equally compelling jazz licks.  Peter Robelia and Brian Tighe, on trumpet and guitar respectively, will also be on hand to recreate those magical sounds they contributed last summer to our recordings, so don’t miss it!

Speaking of Mount Curve Avenue, the record has now entered the physical realm – in CD form at least.  Last week we received the first run of product from the local pressing plant.  We will have these available for sale at our shows for a very reasonable price as yet to be decided.

Jim Ruiz Set wishes you and all the ones you love a very happy and prosperous 2013.  We hope that along with us “you will ride life to perfect laughter.”  As Hank said, “It’s the only good fight there is.”

Jim Ruiz Set Goes Camping, Bandcamping!

Mount Curve Avenue is now for sale at www.jimruizset.bandcamp.com. Released 10/25/2012, as promised, Pacific Time. iTunes, Amazon, etc to follow soon.

Thank You! Thank You! Thank You! Mount Curve Avenue – A Digital Release Statement from The Ledge aka “Rheezy” Ruiz

First Release Date – Eternal Friends via Bandcamp

Good news, MCA is completed and ready for release and the artwork is nearly there.  Jim Ruiz Set will begin “releasing” it this week!!!  And, here is how we intend to do it.

Eternal Friends will find an email in their inbox this week with a number and link included.  This link will bring them to our Bandcamp website where they will be able to download in the format of their choice, from mp3 to Apple Lossless.  They will also find our incredible artwork there, created by the demi-god of design himself, one A. Clapp, to print and use in a recycled jewel case if they desire to burn this bad boy to disc.  Other interesteds will be able to hear the album, but it will not be for sale. Read on…

An Album So Big It Requires Two Labels – Thus Far!

That’s right!  We are pleased to announce that two imprints will appear on the first pressings of  MCA, Mystery Lawn Music and Korda Records.  Mystery Lawn is run by our friend and producer, the aforementioned Mr. Clapp and Korda by our friends and musical collaborators here in Minneapolis.

Second Release Date TBA – The Digital Release Continues – iTunes, Amazon.jp etc…

Long suffering fans will be put out of their collective misery when MCA hits the iTunes store in the very, very near future.  Again, artwork will be included as a bonus track for those lucky enough to download this milestone in the history of popular music.

Rh,

Jim Ruiz Set set to play L.A. Chickfactor Party Sept. 20

People and relatives in SoCal, we come to bring you our culture – and my parents!

It has been confirmed that Ernie and Bernie Ruiz will be flying to L.A. from Minneapolis to witness their son take the stage at the Bootleg Theater in beautiful Silver Lake on Thursday September 20th.

Image

Courtesy of Liz Banfield Photography

If that weren’t enough, the delightful Kim Anderson  (pictured below on the left,) will be taking up lead duties for the evening on marimba and accordion giving the night a unique and special sound.

Kim’s old band the Tin Star Sisters scintillated Minneapolis and St. Paul, for a time, until the sisters parted for different destinies, one, drawn by the lure of Library Science to Gotham, the other, to the city of angels, by Love.

Image

Other special guests that night will be the charming Stevie Jackson, The Lilys and All Girl Summer Fun Band aluma Kim Baxter.  Come early and stay late and help us celebrate the 20th anniversary of Chickfactor.  Don’t be left out in the temperate Southern California evening.  Purchase tickets here before it’s too late!

The Ruiz-turn of the King!

Dear Eternal Friends, we’ve done it!  Thanks to you, our new album is finally recorded.  Many favors were asked and many friendships were tested.  The results are far beyond our wildest expectations.  I want to thank the many of you who offered the use of your homes for recording.  It was a difficult decision but in the end we opted for a house within walking distance of our apartment located near downtown Minneapolis.  We have dubbed it the The Ford Plant.  Many pictures were taken of the sessions, which lasted 9 days.  You can see all those who played on the record on our official Facebook page.

One picture you won’t see there is of our friend, the peerless Max Eider, contributing his guitar part from The United Kinkdom.  Imagine our surprise when a man carrying a brief case handcuffed to his wrist appeared at our door late one evening.  Refreshingly, the people at Tundra Ducks, Max’s record label, believe in doing things right.  The man wouldn’t even accept a tip.

Currently, the songs recorded at our sessions are being mixed and scrutinized at Mystery Lawn Labs in beautiful Sunnyvale CA.  There, Allen is using his powerful Altec Studio Speakers, and some sort of crazy tube amplifier, to discern noises not heard since sound engineers at Capitol Records discovered them in the mid-fifties.

After mixes are complete the entire lot, 16 songs my dear friends(!!!!,) will be mastered at a secret location.

Astute watchers of the 1965 site will notice that the donation buttons have been removed from the side bar.  This means that the 93 of you who contributed non-charitable donations, and whose faith in us never wavered, have attained a place in musical history, and also are going to get one heckuva deal!  A well deserved one at that.

In the coming weeks I will be updating you on our progress.  I thank you all again, without your help, etc….

Yours truly,

Rheezy

An Opportunity to Make Your Home Our Abbey Road

Dear Eternal Friends,

The Jim Ruiz Set is in need of an acoustically interesting space this summer to record their trendsetting new album “1965.”  Professional recording studios have undeniably, in the past, played an important role in the creation of music.  That has all changed with the introduction today’s modern recording techniques.  Why not allow us to immortalize your home forever – sonically!  Imagine being able to tell your children, or children’s children, “that’s exactly what it sounded like in our living room, in 2012.”

Ideally, we will arrive when you are on vacation.  Our producer Allen Clapp, yes, “The Lo-fi Lutheran,” will discretely set to work snapping his fingers and clapping his hands searching your home for the most desirable acoustic locations to set up the minimal tools of his trade to work his magic.  A mic stand here, a small drum kit there, a few cables, a few microphones and maybe a small amp and wallah!  History will be made, maybe in your bathroom!

And you’re probably asking yourselves, what will this cost me?  Hundreds, perhaps even thousands of dollars?  No, it will cost you absolutely nothing.  In fact we’ll hire a professional house cleaner to clean your house before you arrive back from your vacation destination.

Please, don’t wait to act.  Only one lucky house will be chosen and you will maximize your chances by responding early.  Good luck and thank you.

I Left My Heart in… Mij Amsterdam?

Being a no-hit wonder, dear reader, I never thought I had written a signature song.  However, seeing these two clips side by side made me think that possibly I have.  The first is from New Band Night in The 7th Street Entry in Minneapolis during the summer of 1989.  It was the first time I had played the song in public.  The second is from the For the Love of Pop festival in The Bellhouse in Brooklyn April 11, 2012 to celebrate the 20th anniversary of Chickfactor.

Being able to see performances of a song I wrote being played 23 years apart is really an intensely interesting thing – to me anyway!  The song is my ode to the phenomena of internal emigration.   Or as my friend Karrie once told me, “why do you try so hard to pretend you don’t live here?”

My experience with the real Amsterdam up to the point of the 1989 show had been one of wide-eyed wonder in the summer of 1986.  I had traveled there and stayed a week after working  3-months in a pub outside of London in a suburb called Ruislip (no relation.)  You might notice I don’t live in a zolder (attic) in the Van Wou Straat in the first version, because I hadn’t yet made its acquaintance.

My favorite part of the clip is seeing Rena playing the bass, the same one the band still uses.  As most of you know, she died less than a year later in a traffic accident when we returned from The Netherlands after spending a school year there.  She was the subject of many songs I wrote before and after her death.  I think it is funny she is wearing stripes, de rigueur at The Bell House show, 23 years ahead of her time I guess.

Special thanks to Allison LaBonne for converting the Rena and Her Men show to digital for me and to Bleary Eyed Brooklyn for committing the Chickfactor show to digital for posterity.  Also, a heartfelt thank you to everyone who took the time to learn and play this song with me over the years, I’m truly grateful. 

Rena and Her Men 7th St Entry New Band Night 1989

Rena and Her Men 7th St Entry New Band Night 1989

Until I Met You

As far as my memory goes, this is how I met Gail O’Hara.  I first met her at Under Acme NYC in 1995.  We were warming up for label mates Papas Fritas and then traveling to Boston with them that night.  The show was very poorly attended, maybe a dozen people were there.  For some reason, I knew that she might be at the show.  Possibly our drummer had told me.  He had his own fanzine.

After our set ended, I spotted someone in glasses heading for the door.  Facing a long night at a dreary club (sorry UA!) I decided that this might be the Gail I had heard about.  Seizing the moment, I intercepted her on the way to the door.  “Are you Gail?” a reasonable enough question.  Yes, it was.  She said she enjoyed the set, or at least I like to remember that’s what she said.  She asked me where we were staying, I told her we were leaving for Boston as soon as Papas Fritas ended their set.  She said we could stay with her if we liked!  I declined, not trusting myself to find my way to Boston the next day.

That turned out to be a fateful meeting for me.  After finding myself inadvertently in the business of music, I naturally bought Donald Passman’s book, All You Need to Know About the Music Business.  It turned out to be nothing I needed to be concerned with about the music business!  Gail was the first person I trusted to clue me in on our place in the grand scheme of things, and what reasonable expectations I might have.

I trusted her because I could tell she was a person that just loved music, and she was honest.  I think of all her qualities those are the ones that strike you first.  A catalyst, a John Hammond type of person, that could spot good music if it came from Olympia or from Scotland or even from Minneapolis and she had the idealism of a young Paul Weller, and I dug that!

Rheezy – How many songs have been written about you?

Gail – I’ll never tell. I mean, there are a few that I know were and a few I suspect were. I’m not always portrayed as a hero.

Rheezy – Is there some quality that all the bands you invited to play CF12 share?  What makes a CF band?

Gail – Style, foxiness, huge melodies. I’d be lying if I said I was setting up these chickfactor parties for any reason other than to fill up a room with all my favorite people in the world. And music that’s the tops, natch.

xg

The Legendary Jim Ruiz Group is dead. Long live Jim Ruiz Set!

In a shrewd trade, The Aislers Set has agreed to change their name to The Legendary Aislers Group, making it possible for us to become Jim Ruiz Set.  Accordingly, we have started a new Facebook page here with details of our upcoming Minneapolis show with The Starfolk.

With eternal gratitude for the seemingly eternal patience of our Eternal Friends we offer two early unreleased Legendary Jim Ruiz songs at this site.

Follow

Get every new post delivered to your Inbox.

Join 63 other followers